Indeed, we have been LIED to on a GRAND scale! It is so vast, that it is beyond the imagination of most of humanity. Please continue to EXPOSE the TRUTH of the past, hidden within his-story. Our story was deliberately erased, therein lies another story, yet to be exposed. William England, born in England, captured a lost past with his photography
The idea that history has been manipulated or obscured is a compelling and often debated topic. Throughout history, many believe that powerful entities have shaped or rewritten the narrative to serve their interests, hiding truths about our origins, events, or figures that challenge the accepted story.
Uncovering the truth requires critical thinking, investigation, and sometimes, questioning the official accounts we are presented with. It is said that “his-story” has often been written by the victors, leaving out perspectives of those who were oppressed or marginalized
Unveiling the Hidden Past: The Legacy of William England
For centuries, history has been meticulously curated, edited, and sometimes intentionally erased to serve the narratives of those in power. Beneath the surface of what we have been told lies a vast, intricate web of truths concealed from the collective consciousness. This grand deception spans across generations, shaping our understanding of origins, culture, and identity.
Yet, amidst this labyrinth of lies, there are those who dared to look beyond the accepted story. Among them was William England, a pioneering photographer born in England, whose work captured moments long forgotten or deliberately hidden. Through his lens, he preserved fragments of the past, mages that whisper secrets and stories that challenge the official record.
William England’s photographs serve as windows into a lost world, revealing details of life, architecture, and society that have since faded into obscurity. His images stand as silent witnesses, urging us to question what we have been told and to seek the truths buried within the folds of history.
The story of our past is far more complex and layered than the official narratives suggest. It is a story of manipulation, suppression, and control. But it is also a story of resilience and discovery. Each photograph, each piece of evidence, is a step closer to unveiling the reality that has been hidden in plain sight.
As we continue to explore these shadows of history, we are reminded that the pursuit of truth is a never-ending journey. The images of William England and others like him are beacons guiding us toward a deeper understanding a revelation that the past is not lost but waiting to be rediscovered.
The most astonishing photographs of 1859 North America (the cusp of revolution)
posted by Jarid Boosters May 15, 2026 https://www.youtube.com/watch?v=VcfuDpOquOQ
Howdy ya’ll. Today I’ve found for you what might possibly be the most detailed photographs of Old World North America ever taken before the outbreak of the Civil War. Truly, I don’t think any person will be able to view these images of the sprawling landscapes, the lavish cities, and most of all the immaculate architecture without scratching their head in astonishment.
These photographs (which showcase such things as running water, moving animals, and well-occupied Old World cities) appear to go against everything we’ve been told in the “mainstream narrative”, as images with such high quality and clarity are not supposed to exist from the year 1859 – and yet here they are.
Furthermore, the alleged photographer behind these immaculate images has very little information given about his life. His name was “William England”, he was assumed to be from England, and he first appears in the record books when employed by London to travel to America to capture the photographs we are viewing today. These images of North America would go on to be one of the centerpieces of The World’s Fair at London in the year 1862.
The architecture we see is immense, yet at other times the landscape appears untouched. Massive American cities in the year 1859, with traces of earthworks in the background of nearly every one. Miraculous bridges built with absolutely ancient-looking foundations. Brick and masonry everywhere. The details in these images will truly make you question what you’ve been taught about photographic technology, and pre-1860 North American history. Astonishing, haunting, and incredibly detailed – this is Old World North America like you’ve never seen it before.
This is marvellous information, further evidences the past as per other articles here in such we have published
https://namastepublishing.co.uk/?s=tartaria
Tartaria Lost Children and the Vanished Adults – The Truth Behind the Orphan Trains
The Orphan Trains
The orphan train movement began in 1854 and continued into the early 20th century. Charitable organizations like the Children’s Aid Society and the Orphan Train Movement aimed to find homes for orphaned, abandoned, or destitute children from crowded urban areas, mainly New York City. The children were transported by train across the country to rural towns and farms, where they were placed with families.
Historical Facts:
Estimated 200,000 children were relocated via this program.
The movement was driven by a belief that children would benefit from rural life and work.
Some children faced hardship, exploitation, or abuse, though many found caring homes.
The movement officially ended in the 1920s with changes in social services and laws.
The Industrial Rewiring of the New World By Michelle Gibson April 6, 2026
Tartaria Explained! pt 8: ASYLUMS / Prisons / Colleges / Mind Control / Castles in America
William England 1830–1896
Photographers of Great Britain & Ireland 1840-1940
Extract:
Photographic Business
William left the employ of the London Stereoscopic Company c1864. Sometime between 1864 and 1871 he started his own business from his home at 7 St James’s Square, Kensington, London.
William England was born near Trowbridge, Wiltshire in 1830, the second child and oldest son of John England and Jane England (nee Mizen).
Prior to 1842, before he became a teenager, William began work as a photographic assistant in a daguerreotype studio, learning the art of portraiture as well as the chemical process of treating the light-sensitive silver-coated metal plates to produce an image for sale.
One daguerreotype portrait cost a little more than the average weekly wage, somewhere between 15s and 25s depending on location. This cumbersome technique fell from fashion in the late 1850s as glass plate and wet collodion printing was invented thereby making it possible to produce several copies of one picture; not possible with daguerreotype.
Some time before 1850, William moved to London to further his chosen career in photography.
William joined the London Stereoscopic Company in 1854. William soon proved to be the London Stereoscopic Company’s most talented photographer with his many views that were taken around England, Ireland, France and Switzerland. The demand for stereoscope pictures could barely be met, with thousands being produced by the mid 1850s.
William was commissioned to travel to America in 1859 and again in 1860 to take a series of photographs of the country that so many had heard about but few had seen in pictures. He travelled to the USA for the first time and captured the first American views to be published abroad commercially.
Using a revolutionary shutter which improved the camera’s depth of focus his atmospheric compositions show the stations and locomotives of the Great Western Railway, bridges under construction, river and lake scenes in New York, Montreal and Quebec and above all, the people participating in his scenes.
Perhaps his most famous picture was of Blondin (“The Great Blondin” – a Frenchman born as Jean Francois Gravelet) traversing the gorge below Niagara Falls on a tightrope 335m long and 50m above the water, pole in hands. It became the best-selling stereograph of all time; more than 100,000 cards were sold worldwide. Again in 1860 he went to America to find different perspectives in different seasons and produced wonderful winter scenes of snow and icy landscapes, always with people to give definition…
William died at his home in 7 St. James Square, Nottinghill, Kensington, London on the 13th August 1896. Probate was granted on the 14th January 1897 to William Mayland, gentleman, and Louis William England, photographic printer. His effects totalled £1,138 17s 5d. and he was described as a photographic dry plate manufacturer.
William England left behind a legacy of thousands of glass plate negatives of exquisite images taken in many countries of Europe. They are now in the Hulton Getty collection.